Conference Program
Thursday, 28 September 2023
| National Taiwan Normal University (NTNU), School of Continuing Education, Auditorium | |
| 08:30 – 08:50 | Registration |
| 08:50 – 09:10 | Opening |
| 09:10 – 10:40 | Plenary Session |
| National Taiwan Normal University (NTNU), School of Continuing Education, Auditorium | |
| Perspectives on the Theoretical Landscape | |
| Chair: Candida Syndikus, NTNU | |
| Dirk Van Hulle (University of Oxford) Creative Spaces: Editing Notebooks and Marginalia | |
| Daniel Ferrer (ITEM/ENS) Elusive Environments: De-Contextualization and Re-Contextualization (remote presentation) | |
| 10:40 – 11:10 | Coffee Break |
| 11:10 – 12:10 | Parallel Sessions 1 |
| NTNU, School of Continuing Education, Auditorium | |
| 1A – Translation and the Creative Collective | |
| Chair: Ken-Fang Lee, NTNU | |
| Patrick Hersant (ITEM/ENS) RENGA by Roubaud, Sanguineti and Tomlinson: Collaborative. Translation at Play | |
| Sakari Katajamäki (Finnish Literary Society) Main Currents－The Social and Material. Environs of a Co-Authored Translation | |
| NTNU, School of Continuing Education, Conference Room 213 | |
| 1B – Creative Collective | |
| Chair: Dirk Van Hulle, University of Oxford | |
| Benedetta Zaccarello (ITEM/ENS) Abstract Thinking and Poetry Writing in an Indian ashram: Where Environs are a Living Practice | |
| Peng Yi (National Central University) Cardography: Wittgenstein, Woolf and the 1920’s | |
| 12:10 – 14:00 | Lunch |
| 14:00 – 15:30 | Parallel Sessions 2 |
| NTNU, School of Continuing Education, Auditorium | |
| 2A – Creative Entanglement | |
| Chair: Valentin Nussbaum, NTNU | |
| Roberta Priore (University of Bologna) “A Living Laboratory”: Function of the First Hundred Pages of the Zibaldone di pensieri by Giacomo Leopardi (remote presentation) | |
| Olga Beloborodova (University of Antwerp) “An Interesting Failure”: Beckett’s (Un-)Collaborative Creativity on Screen (remote presentation) | |
| Gabriele Wix (University of Bonn) Thomas Kling and Max Ernst: Two Case Studies on the Intertwined Web of Draft Environment and Textual Genesis in Poetic and Translatorial Activities (remote presentation) | |
| NTNU, School of Continuing Education, Conference Room 213 | |
| 2B – Creative Collective I: Libraries, Letters, Drafts | |
| Chair: John Rink, University of Cambridge | |
| Kiyoko Myojo (Seijo University) Kafka’s Fictional Writings as Disguised Letters | |
| Ilaria Burattini (University of Bologna) Traces of Epistolary Documents in Guicciardini’s Storia d’Italia: A Laboratory Made of Papers (remote presentation) | |
| Anna Sarodi (University of Oxford) The Shelved Draft: Libraries of Poets-Translators (remote presentation) | |
| 15:30 – 16:00 | Coffee Break |
| 16:00 – 17:30 | Parallel Sessions 3 |
| NTNU, School of Continuing Education, Auditorium | |
| 3A – Variants, Open or Shut | |
| Chair: Mark Byron, University of Sydney | |
| Barbro Wallgren Hemlin (University of Gothenburg) Bishop Esaias Tegnér and the Changes: Textual Variants as Clues to the Creative Process | |
| Dovilė Gervytė (Vilnius University) Motionless Draft, or the Imperfection of Genetic Imagination | |
| Felix Hermans (University of Antwerp) “First Prose. Then”: Samuel Beckett’s Hesitation over Genre | |
| NTNU, School of Continuing Education, Conference Room 213 | |
| 3B – A Second Look: Genetic Concepts and Case Studies (Session in French and in English) | |
| Chair: Franz Johansson, ITEM – Sorbonne University | |
| Kazuhiro Matsuzawa (University of Nagoya) Illusion exogénétique? Entre le troisième cours de linguistique générale de Saussure et le Cours de linguistique générale (Exogenetic illusion? Between Saussure’s Third Course in General Linguistics and The Course in General Linguistics) | |
| Takashi Inoue (Shirayuri University) and Michael Ka-Chi Cheuk (Hong Kong Metropolitan University) Genetic Criticism and World Literature: The Cases of Gao Xingjian and Yukio Mishima | |
| Chia-Hung Hsueh (National Central University) Lire Certeau aux prises avec le temps | |
Friday, 29 September 2023
| National Taiwan Normal University (NTNU), School of Continuing Education, Auditorium | |
| 08:30 – 09:00 | Registration and Coffee |
| 09:00 – 10:30 | Parallel Sessions 4 |
| NTNU, School of Continuing Education, Auditorium | |
| 4A – Creative Environs I: Composition, Studio Recording and Design | |
| Chair: Wojciech Kruszewski, Catholic University of Lublin | |
| John Rink (University of Cambridge) From “Musical Idea” to Notation and Sound: Mapping Creative Space in Music | |
| Anna R. Burzyńska (Jagiellonian University) The Recording Studio as a Songwriting Tool | |
| Niina Turtola (Edinburgh Napier University) From the Draft to Final Version of a Book Cover—Blurring Lines of Fact and Fiction | |
| NTNU, School of Continuing Education, Conference Room 213 | |
| 4B –Creative Environs II: Mental, Physical, Generic and Fluid | |
| Chair: Kiyoko Myojo, Seijo University | |
| Jarosław Fazan (Jagiellonian University) Creative Subject and a Space of Disease | |
| Mateusz Antoniuk (Jagiellonian University) Looking at the Draft (and Thinking about Its Enviorns) | |
| Josefine Hilfling (University of Copenhagen) Manuscripts Do Burn: Theoretical Issues within Genetic Criticism When Tracing the Author’s Writing Process through Published Editions (remote presentation) | |
| 10:30 – 12:00 | Parallel Sessions 5 |
| NTNU, School of Continuing Education, Conference Room 213 | |
| 5A – The Jagged Edge of Creativity and Modernity/ 19th-Century Poetry and Beyond | |
| Chair: Patrick Hersant, ITEM/ENS | |
| Julia Holter (ITEM/ENS) The Birth of Alexander Pushkin’s “Ode to Liberty” in Situ of an Ill-Fated Castle | |
| Wojciech Kruszewski (Catholic University of Lublin) “Give me a break!” Jan Czeczot as the Editor of Adam Mickiewicz’s First Works | |
| Arleen Ionescu (Shanghai Jiao Tong University) Refuge in “Ruins”: Samuel Beckett’s Library vs E. M. Cioran’s Cahiers（remote presentation） | |
| NTNU, School of Continuing Education, Auditorium | |
| 5B – The Unfinished | |
| Chair: Anna R. Burzyńska, Jagiellonian University | |
| Jeronimo Pizarro (Universidad de los Andes) Fernando Pessoa’s Radical Scatters | |
| Daniela Shalom Vagata (Masaryk University) Ugo Foscolo’s “Hymn to the Graces”: A Case Study | |
| 12:00 – 14:00 | Lunch |
| 14:00 – 15:30 | Parallel Session 6 |
| NTNU, School of Continuing Education, Conference Room 213 | |
| 6A – Writers and the Digital Environment 1 | |
| Chair: Laura Pérez León, National Central University | |
| Thorsten Ries (University of Texas) Analog and Digital Chronotopoi: On the Evolution of Writing Space, Materiality and Chronology in Modern Dossiers Génétiques (remote presentation) | |
| Lamyk Bekius (University of Antwerp) The Digital Writing Environment: From Music and “Downtime” to the Affordances of the Word Processor (remote presentation) | |
| Veijo Pulkkinen (University of Helsinki) The Born-Digital Manuscripts of Kalle Päätalo | |
| NTNU, School of Continuing Education, Auditorium | |
| 6B – Writers and the Digital Environment 2 | |
| Chair: Sakari Katajamäki, Finnish Literary Society | |
| Floor Buschenhenke (Huygens Institute) Currente Cursore: The Art of Revision in a Digital Workspace | |
| Ya-Ting Chang (National Central University) The Website of Jean-Philippe Toussaint, or Work in Motion | |
| 15:30 – 16:00 | Coffee Break |
| 16:00 – 17:30 | Parallel Session 7 |
| NTNU, School of Continuing Education, Auditorium | |
| 7A – Digital Environs and Theoretical Tools | |
| Chair: Dinu Luca, NTNU | |
| Franz Johansson (ITEM – Sorbonne University) The Auctorial Avant-texte: From Print to Digital Space | |
| Aurèle Crasson (ITEM/ENS) “La trace: entre Origine et Archive Ce que les productions numériques de Jacques Derrida révèlent” (“The Trace: between Origin and Archive, What the Digital Productions of Jacques Derrida Reveal”) (presentation in French) | |
| Paola Italia (University of Bologna) A Grammar of Corrections (remote presentation) | |
| NTNU, School of Continuing Education, Conference Room 213 | |
| 7B – Material Environment and Creative Ecology | |
| Chair: Benedetta Zaccarello, ITEM/ENS | |
| Mark Byron (University of Sydney) Tristia: A Poetics of Displaced Composition | |
| Raffaella Fernandez (University of São Paulo) Writing on Recycled Sheets: Bricolage and Polyphony in Carolina Maria de Jesus’ Manuscripts (remote presentation) | |
| National Taiwan Normal University (NTNU), School of Continuing Education, Auditorium | |
| 17:30 – 18:00 | Closing Ceremony |
Updated 11 September, 2023
Genesis Taipei 2023 